Archive for the ‘Interiors’ Category

 

If you’ve been following along, you likely know we’re in the early stages of renovation at Summerset. While not colonial like many homes in Newport, a 1940s-cottage does come with its own set of construction challenges in the age of modern zoning + occupancy approvals. We’re leaving the heavy lifting of marrying floor joists and reinforcing rooflines to our dream team of architects, engineers + contractors so we can focus almost exclusively on the interiors.

As with any design project, options are endless (while for many of us, budgets are not) and the project can feel overwhelmingly daunting. When setting out, there were two things I was determined to write into the next chapter of our coastal home – maintaining its charming character and making it feel unequivocally me (don’t worry, the Captain’s input is usually always incorporated). Since the early years of penning posts here at Around the Pound, I’ve openly shared a love + admiration for textiles. The Part Deux of our double feature this month is dedicated to a new textile studio out of Charleston, whose gorgeous fabrics will undoubtedly be designed into the delectable details I have planned for Summerset.

Palmette, founded by Chris and Elizabeth Boyette, is rooted in the brand’s aesthetic, ‘Classical and timeless with the breezy and relaxed air of the coast‘. Similar in sentiment to our TGL tagline, ‘Classic Style with a Pinch of Glam‘, I had a strong intuition upon their launch that I was going to adore anything (or better yet, everything) the couple created. A small collection of textiles (and just launched pillows!), each available in several colorways, sparks the perfect balance between sophisticated and sweet. Printed on 100% Belgian linen (with options in weight depending on your project and product application), Elizabeth’s eye for color is spot-on – subtle synchrony for the Henrietta Tonal, or a versatile range of colors on ivory for the Sullivan Stripe. Personally, Henrietta for bespoke shades to dress up tiny wall sconces is sitting at the top of my wishlist, with the million dollar dilemma – True Blue, Indigo or Mulberry?

The design duo behind Palmette’s sister studio Good South created their own identity for the brand. A simple type treatment, equally as beautiful as the textiles, sets the stage for the pretty patterns. And because I love paper equally to prints, when a lush letterpress business card arrived tucked in with my memos, I immediately reached out to Elizabeth to share how stunning everything is. Looking for interior inspiration or a slice of Charleston charm? Follow along on their instagram, you’re sure to find yourself scouring antique shoppes for a settee in need of something extra special. I can’t wait to see where Palmette ventures next, while not textiles, I’m secretly hoping wall coverings are in the forecast. A certain cottage is chock full of nooks and crannies that would be drop dead adorable with a pop of Palmette pattern.

Images courtesy of Palmette.

SUMMERSET SERIES | NO. 4

August 7, 2020

 

‘The value of time’, cliche yes, and yet, so undeniably true. The past several months, respectfully void of gilded getaways, world travel and general day-to-day distractions given the state of international affairs, have afforded us the luxury of time. Time to slow down, time to focus on the things that feed us creatively and and time to enjoy the bounty granted to us by a life near the sea (our hydrangea cup runneth 10x over this season).

With demolition scheduled to commence imminently at Summerset, it’s been pencil-to-paper in an all out effort to define/refine the necessary details for our upcoming renovation. While we worked with Cordtsen Design Architecture on all structural elements of the project, the interiors were a scope of work I felt confident to navigate. Full transparency folks – I am not an interior designer by trade, but know my way around a drafting table, have 15+ years experience in the field of design, and can manage a project from concept to execution well enough to know I wasn’t biting off more than I could chew. (Not to mention, we have an amazing GC who ‘gets me’ and my penchant for perfection.)  That said, I also know things almost never go according to plan, schedules run delayed and running a tight ship when it comes to balancing budget and beauty is nonnegotiable for a successful outcome.

In celebration of breaking ground (i.e. dumpster delivery + excavation), follow along at #tglsummersetseries and dive into the ‘avant’ highlights in our insta-stories for a sneak peek at the ‘before’. I promise, not a one-eye open sort of scary.

 

Many people and cultures believe ‘7’ to be a lucky number, and while most would contest these beliefs to be purely matter of opinion, in the context of today’s note, I’ll roll the dice and happily join forces with Camp Seven. 2020 is our seventh ‘season’ in Newport (note: loose use of the word season because we spend considerably greater time here than between the bookends of Memorial and Labor Day). Our first Summerset Series post was just about seven years ago and today welcomes the month of July, the seventh month and the peak of prime time to be enjoying the City-by-the-Sea.

Looking back on that first post in 2014, a glow sweeps across my face remembering the feeling when we took ownership of the property, fell in love with her original floors every time we crossed the threshold (which based on this photo, many of you would back us up on that one) and embarked on the journey of turning a quaint little cottage into a coastal abode. In the years since, we’ve lovingly dressed her in all our favorite shades of blue, filled her with precious treasures and most importantly, welcomed countless friends + family into every cozy corner her 1,040 square feet would allow.

Later this month, we’re scheduled to break ground on some significant renovations at the Gilded Getaway House. In 2018 we worked closely with a local Newport architect to reimagine the 1940’s house and breath new life into the space we plan to love for many more ‘seasons’ to come. After months of zoning board meetings, negotiations with neighbors and honestly, a much-needed break glass of wine to recoup from the exhaustion of it all, the time has arrived to transition from plans-on-paper to something tangible we can physically see + touch. I know many of you reading have a keen interest in design – join me as I make a brave attempt at sharing snippets of the delectable details through the process. Follow along with #tglsummersetseries for pint-sized servings, or, if like me you’re hungry for more, stick around here at Around the Pound for larger portions. Regardless where you choose to follow along, I promise the content will be occasionally golden, always deliciously creative.

CREATIVE CRUSH | JUNE

June 4, 2020

Over the past week, the corners and coasts of New England have started to emerge from the safety of their Corona-cocoons, transitioning between Phases like a rite of passage from pre- to post. Life as we all knew it has changed dramatically in recent months, and as for many, we find ourselves entering into a wounded country wrought with emotion. We’ve been served the same cocktail of uncertainty and have chosen to respond by listening, learning + reflecting on how to impart change in our daily lives. Our focus at TGL and Around the Pound continues to be centered around content that celebrates creativity in all shapes + sizes. An open invitation when you’re seeking inspiration, or perhaps in need of a reminder that in the midst of what may feel like chaos, there are places + spaces where everyone is welcome, we’d love to have you.

CREATIVE CRUSH | JUNE EDITION

Dress *a room* in layers. (@paul_massey | @stephenkentjohnson)

True blue. (@officine_universelle_buly)

Fit to print. (@searoosts | @antoinettepoisson | @lauriefrankel)

A pop of poppy. (@hesperios | @catherinebjones)

Check mate. (@mariadelaordenstudio)

Home is where the heart is. (@annakarlinstudio)

Never stop believing. (@hollieward_)

 

You may have wondered why I so frequently share my admiration for all things textiles at TGL. The short answer – if it’s knitted, printed or woven, it’s the bee’s knees in my book. The long answer (which I’ll tuck away in more detail for a rainy day, or god forbid, another pandemic) – I studied Textile Design at the nation’s oldest textile institution so textiles are always in my peripheral vision. In my Bachelor’s course of study, the trifecta of textile disciplines were covered in depth, and while I elected for a capstone concentration in knit design, printed textiles are personally one of my favorite platforms for celebrating pattern + color.

My recently launched series The Captain’s Catch includes an inspiring interview from Business of Home featuring painter and designer Serena Dugan. Serena, whose given name still resides with the lifestyle brand Serena & Lily she co-founded in 2004, left corporate culture in 2017 in pursuit of a return to her artistic roots. Having contributed creatively to the California based-brand for more than 15 years as CCO, Serena’s passion for painting and fine art tugged at her hartstrings. After what some may call a daring departure from the safety net of direct-to-consumer retail, she completed a painting residency at a chateau in the French countryside, and in early 2020 launched Serena Dugan Studio. Textile Designers are what I like to call the unicorns of the design world, frequently overlooked for more glamorous roles in Fashion Design or Interior Design; a niche group of creatives responsible for the very fabrics showcased in end-form on respective runways and in the beautiful rooms of the aforementioned designers. Combine the talent of a fine artist with the subtle beauty of a textile and it’s a recipe for sheer magic.

Tucked in a cozy 1,000 sq.ft. studio hugging the waters of Sausalito (a tiny hamlet a stone’s throw from San Francisco), Serena and her small team have introduced a collection of screenprinted textiles, wall coverings + for those of you decoratively challenged, pillows guaranteed to make any loveseat or window seat pop with a touch of pattern. Several collections, each uniquely inspired by Dugan’s travels, translate beautifully on a ground of 100% Belgian Linen, the gold standard in home textiles and with a spotlight on screenprinting, which harmoniously blends art + handcraft, we’re yearning for yardage. Whether you have a statement wall or a tucked away sitting room calling for a special touch of tactile interest (cue the grasscloth), these delectable designs are guaranteed to provide a unique look worthy of picture-perfect ‘grams or simple, unadulterated adoration. The toughest challenge you’ll face will be deciding which print, or likely even more difficult, which colorway, to call your own.

Images by Serena Dugan Studio and Laurie Frankel.

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