Posts Tagged ‘Textile Design’

 

If you’ve been following along, you likely know we’re in the early stages of renovation at Summerset. While not colonial like many homes in Newport, a 1940s-cottage does come with its own set of construction challenges in the age of modern zoning + occupancy approvals. We’re leaving the heavy lifting of marrying floor joists and reinforcing rooflines to our dream team of architects, engineers + contractors so we can focus almost exclusively on the interiors.

As with any design project, options are endless (while for many of us, budgets are not) and the project can feel overwhelmingly daunting. When setting out, there were two things I was determined to write into the next chapter of our coastal home – maintaining its charming character and making it feel unequivocally me (don’t worry, the Captain’s input is usually always incorporated). Since the early years of penning posts here at Around the Pound, I’ve openly shared a love + admiration for textiles. The Part Deux of our double feature this month is dedicated to a new textile studio out of Charleston, whose gorgeous fabrics will undoubtedly be designed into the delectable details I have planned for Summerset.

Palmette, founded by Chris and Elizabeth Boyette, is rooted in the brand’s aesthetic, ‘Classical and timeless with the breezy and relaxed air of the coast‘. Similar in sentiment to our TGL tagline, ‘Classic Style with a Pinch of Glam‘, I had a strong intuition upon their launch that I was going to adore anything (or better yet, everything) the couple created. A small collection of textiles (and just launched pillows!), each available in several colorways, sparks the perfect balance between sophisticated and sweet. Printed on 100% Belgian linen (with options in weight depending on your project and product application), Elizabeth’s eye for color is spot-on – subtle synchrony for the Henrietta Tonal, or a versatile range of colors on ivory for the Sullivan Stripe. Personally, Henrietta for bespoke shades to dress up tiny wall sconces is sitting at the top of my wishlist, with the million dollar dilemma – True Blue, Indigo or Mulberry?

The design duo behind Palmette’s sister studio Good South created their own identity for the brand. A simple type treatment, equally as beautiful as the textiles, sets the stage for the pretty patterns. And because I love paper equally to prints, when a lush letterpress business card arrived tucked in with my memos, I immediately reached out to Elizabeth to share how stunning everything is. Looking for interior inspiration or a slice of Charleston charm? Follow along on their instagram, you’re sure to find yourself scouring antique shoppes for a settee in need of something extra special. I can’t wait to see where Palmette ventures next, while not textiles, I’m secretly hoping wall coverings are in the forecast. A certain cottage is chock full of nooks and crannies that would be drop dead adorable with a pop of Palmette pattern.

Images courtesy of Palmette.

You may have wondered why I so frequently share my admiration for all things textiles at TGL. The short answer – if it’s knitted, printed or woven, it’s the bee’s knees in my book. The long answer (which I’ll tuck away in more detail for a rainy day, or god forbid, another pandemic) – I studied Textile Design at the nation’s oldest textile institution so textiles are always in my peripheral vision. In my Bachelor’s course of study, the trifecta of textile disciplines were covered in depth, and while I elected for a capstone concentration in knit design, printed textiles are personally one of my favorite platforms for celebrating pattern + color.

My recently launched series The Captain’s Catch includes an inspiring interview from Business of Home featuring painter and designer Serena Dugan. Serena, whose given name still resides with the lifestyle brand Serena & Lily she co-founded in 2004, left corporate culture in 2017 in pursuit of a return to her artistic roots. Having contributed creatively to the California based-brand for more than 15 years as CCO, Serena’s passion for painting and fine art tugged at her hartstrings. After what some may call a daring departure from the safety net of direct-to-consumer retail, she completed a painting residency at a chateau in the French countryside, and in early 2020 launched Serena Dugan Studio. Textile Designers are what I like to call the unicorns of the design world, frequently overlooked for more glamorous roles in Fashion Design or Interior Design; a niche group of creatives responsible for the very fabrics showcased in end-form on respective runways and in the beautiful rooms of the aforementioned designers. Combine the talent of a fine artist with the subtle beauty of a textile and it’s a recipe for sheer magic.

Tucked in a cozy 1,000 sq.ft. studio hugging the waters of Sausalito (a tiny hamlet a stone’s throw from San Francisco), Serena and her small team have introduced a collection of screenprinted textiles, wall coverings + for those of you decoratively challenged, pillows guaranteed to make any loveseat or window seat pop with a touch of pattern. Several collections, each uniquely inspired by Dugan’s travels, translate beautifully on a ground of 100% Belgian Linen, the gold standard in home textiles and with a spotlight on screenprinting, which harmoniously blends art + handcraft, we’re yearning for yardage. Whether you have a statement wall or a tucked away sitting room calling for a special touch of tactile interest (cue the grasscloth), these delectable designs are guaranteed to provide a unique look worthy of picture-perfect ‘grams or simple, unadulterated adoration. The toughest challenge you’ll face will be deciding which print, or likely even more difficult, which colorway, to call your own.

Images by Serena Dugan Studio and Laurie Frankel.

WARP & WEFT | ALEXANDRA KOHL

February 22, 2019

It was a few years ago at Field & Supply that we first came across the work of New York-based Fiber Artist Alexandra Kohl. Kohl, an avid equestrian, combines the beauty of cotton with horsehair via a delicate dance of warp and weft. The result – hand-woven textiles which not only unite the natural qualities of plant and animal, but also emanate an intricacy that discreetly draws the viewer in for closer admiration. For anyone unfamiliar with the age-old craft of hand-weaving, it is a process equally laborious and tranquil; each individual yarn manipulated by the weaver in a deliberate act as intricate as those of an experienced surgeon. Kohl’s masterful hand and eye for color marry flawlessly to preserve the longstanding tradition of hand-weaving.

In her most recent body of work, a joint venture with furniture designer J.M. Szymanski, bespoke furnishings juxtapose Kohl’s soft substrates against the stature of cast iron. Named an emerging talent by Architectural Digest in 2017, Kohl’s admiration for minimalism and organic architecture lends inspiration and is distinctly embodied in her textiles. What makes Kohl’s work even more desirable? A unique versatility to complement a wide range of aesthetic preferences, modern to traditional.

Images courtesy of Alexandra Kohl.

MOODY BLUES | LIZ ROBB

June 18, 2015

LizRobb

If ever one could have a love affair with color, indigo would be our soul mate and Liz Robb, matchmaker extraordinaire. Interiors at the Gilded Getaway House have taken a keen liking (okay, more like a blatant schoolgirl crush) to the moody blue hue, and when we stumbled upon the work of this California based fiber artist, we immediately added another line item to our decorating wishlist. To the eye of a textile designer, the technical structure of Liz’s work is beautifully simple + mindfully understated, elevated by her preference for natural fibers, which serve as the perfect canvas to highlight the hand-dyed techniques that envelop many of her pieces.

A visual journey through Liz’s portfolio is easily equated to a leisurely stroll down the proverbial path of textile paradise. From where we stand, the only downfall with so much eye-candy? Selecting a favorite and speed dialing a commission, because surely, every prized piece by Sally England needs a pretty drop-dead gorgeous partner-in-crime. Summerset is, after all, only in her second season, and like any fresh, young starlet en route to making her golden debut, the layers of her wardrobe are just beginning.

Images courtesy of Liz Robb.

menu
Image 01 Image 02 Image 03 Image 04 Image 05 Image 06 Image 07 Image 08 Image 09 Image 10 Image 11 Image 12 Image 13 Image 14 Image 15 Image 16 Image 17 Image 18 Image 19 Image 20 Image 21 Image 22 Image 23 Image 24 Image 25 Image 26 Image 27